Doktoritöö: Eesti filmitootjad kaasavad publikut alles lõppfaasis

Doktoritöö: Eesti filmitootjad kaasavad publikut alles lõppfaasis

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Doctoral Thesis: Estonian Filmmakers Involve the Audience Only in the Final Phase

Eesti . Filmitootjad proovivad arvestada vaatajate ootustega, kuid .
Kinod korraldavad üritusi ja püüavad filme paremini tutvustada. Kuid Sten Kauber, doktoritöö autor, ütleb, et . Publik mõjutab filmielu, kuid tootjad põhinevad sageli lihtsalt oma tunnetel.
Kauber uuris üle 400 kinokülastaja ja tegi intervjuusid filmitegijatega. Tema töö näitas, et tootjad mõtlevad publikule alles siis, kui film on valmis.
. Enne koroonat oli Eesti kinokülastuste arv väga kõrge. .
. Neile meeldivad nii kerge meelelahutus kui ka tõsised ja sügavad teemad. Publik tahab näha eesti keelt ja kohalikke probleeme. Nad ootavad, et .
Kauber ütleb, et . Filmitegijad püüavad arvestada publikuga, kuid teevad seda sageli ebaühtlaselt.
. Inimesed ei lähe kinno lihtsalt filmi vaatama, vaid elamuse pärast. Neile on oluline sotsiaalne tegevus ja hea kogemus.
Kinod investeerivad paremate ekraanide ja toolide, aga ka kohtumiste filmitegijatega. Kauber ütleb, et .
: tootmine, näitamine ja publikute arvamused. Kauber soovitab, et Eesti filmitegijad uuriksid publikute soove rohkem.
Publik mõjutab filmikultuuri oma piletite ostuga. . Kauber ütleb, et Apollo võib mõjutada publiku ootusi parema reklaamiga.
3. detsembril. Töö juhendasid professorid Indrek Ibrus ja Ulrike Rohn.
The Estonian film market operates through collaboration between producers, cinemas, and the audience. Filmmakers try to consider viewers' expectations, but audience knowledge has not been systematically studied.
Cinemas organize events and aim to introduce films better. However, Sten Kauber, the author of the doctoral thesis, says that more knowledge about the audience is needed. The audience influences film culture, but producers often rely simply on their own feelings.
Kauber surveyed over 400 cinema visitors and conducted interviews with filmmakers. His work showed that producers start thinking about the audience only when the film is finished.
The Estonian audience goes to the cinema more than many other European countries. Before the coronavirus, the number of cinema visits in Estonia was very high. Estonians love local films that are not seen elsewhere.
The expectations of Estonian viewers for films are very diverse. They enjoy both light entertainment and serious, deep themes. The audience wants to see the Estonian language and local issues. They expect films to help them feel like part of the Estonian nation.
Kauber says that Estonian films are becoming more diverse and stereotypes are disappearing. Filmmakers try to consider the audience, but often do so inconsistently.
Going to the cinema in Estonia is an event. People don't go to the cinema just to watch a movie, but for the experience. Social activity and a good experience are important to them.
Cinemas invest in better screens and seats, as well as meetings with filmmakers. Kauber says that cinemas aim to make cinema visits more interesting with special programs.
The value of films arises in several ways: production, screening, and audience opinions. Kauber recommends that Estonian filmmakers study audience desires more.
The audience influences film culture through ticket purchases. Apollo is Estonia's largest cinema chain and distributor. Kauber says that Apollo can influence audience expectations with better advertising.
Sten Kauber defended his doctoral thesis at Tallinn University on December 3. The work was supervised by professors Indrek Ibrus and Ulrike Rohn.